In recent decades, some of the best documentary films — including Oscar-winners such as Bowling for Columbine and Searching for Sugar Man, and, more recently, festival favorites Point and Shoot and Meet the Patels — have have relied on animation to tell compelling nonfiction stories in nontraditional ways. It’s a technique audiences have grown accustomed to and nonfiction filmmakers have learned to adopt with varying degrees of success. While in the past, documentary purists might have posited that animation had no place in non-fiction storytelling, it’s now largely accepted that even observational documentaries involve some degree of manipulation. If anything, by using animation in a documentary, the manipulation is more […]
To revisit Martin Bell‘s landmark documentary Streetwise 32 years after its initial release is an experience that would at times seem to beggar an audience’s capacity for prejudice. Never was a community so commonly perceived as forlorn and despondent as Seattle’s homeless youth population ever depicted in such a sharp contrast to common notions of indigence. To endure the film alongside Bell’s feature-length update, TINY: The Life of Erin Blackwell — made possible as part of BAMCinemaFest’s NY Premiere Double-Feature this Saturday — is to stand the test of self-questioning that belies any deeper look into the reality of poverty and its lifelong repercussions. TINY, […]
Two of the best television series ever to tackle America’s endlessly complicated relationship with race premiered almost simultaneously in the first half of this year. First up was the FX series American Crime Story: The People v. O.J. Simpson, in which two of the greatest living American screenwriters, Larry Karaszewski and Scott Alexander, found their greatest subject in the tragicomic bouillabaisse of race, class, sex, and violence that was the O.J. Simpson trial. A darker and more unsettling – though no less entertaining and riveting – examination of the same issues could be found just a matter of weeks later […]
One of my favorite memories of Josh and Benny Safdie is sitting at a table with them at a gala event where they were receiving an award: their attention was on their phones the entire time because the Knicks were playing. The Safdies’ twin obsessions with basketball and filmmaking came together three years ago in making the documentary Lenny Cooke, about the rise and fall of a one-time basketball prodigy who was a rival to LeBron James. One of the most remarkable thing about the film is the way LeBron is used as a main character in the film, primarily through […]
The documentary Tickled begins as a story about the bizarre world of competitive endurance tickling but evolves into an investigation of the ominous company behind videos in which young men tickle one another. Co-directors David Farrier (a New Zealand TV journalist) and Dylan Reeve have endured harassment and lawsuits in the process of digging into what seems to be an extended history of intimidation and coercion. Following substantial media coverage, the film is set to open in the United States on June 17 after premiering at the 2016 Sundance Film Festival. I talked to the duo about what it’s like to work with a […]
You may not know Miranda Bailey’s name, but you probably know her work. As an actress, writer, director and producer, Miranda Bailey has a hand in just about every aspect of the independent film business. Early in her career, she executive produced Noah Baumbach’s The Squid and the Whale, and since then her producing credits have included Oren Moverman’s Time Out of Mind and the award-winning documentary Spinning Plates. Bailey’s production company Cold Iron Pictures was behind the award-winning 2015 Sundance sensation Diary of a Teenage Girl, in which she played a supporting role opposite Kristen Wiig. This summer two other films that […]
“Enjoy the ride,” said Eva Husson before she screened her first feature film in January at the Rotterdam International Film Festival. Roughly 100 minutes later, a stumbling crowd poured out of the cinema as if collectively descending a roller coaster exit ramp, vertigo subsiding with each stabilizing step. Husson’s Bang Gang: A Modern Love Story , which opens in New York and Los Angeles on June 17 from Samuel Goldwyn, is about the sexual unleashing of French suburban teens and the boundaries that shape their relationships. An explosive score integrating electronic and classical music reverberates within the rhythm of the […]
As haunting and macabre as when it was first released in the spring of 1989, Mary Lambert’s Pet Sematary is fondly remembered for being one of the more faithful and rich screen adaptations of a Stephen King novel. (A documentary on the film’s production, Unearthed & Untold: The Path to Pet Sematary, is to be released later this year.) The story of a nuclear family who move to small-town Maine and, through a series of unfortunate events (i.e. the death of a beloved feline), discover an ancient Indian burial ground that brings the dead back to life, Pet Sematary’s playfully dark twist stems from reincarnation […]
It’s always been a convenient avenue for critical dismissal to view Brian De Palma’s films as impersonal. As the director says himself in Noah Baumbach and Jake Paltrow’s eponymous documentary opening this week, he makes films from the outside in — beginning with the visual lexicon of the narrative, then connecting that architecture with living characters and scenes. Some struggle to defend their affinity for his films. The targets are legion. One is the voyeur’s presence in most of them — almost always misconstrued by detractors and, if only in the most fleeting moments, pegged as either contrivance, obsession, or […]
Most filmmakers are lucky if they can master one genre in their lifetime, but over the course of a sixty-year career Ted Kotcheff has conquered several. He helmed a grimly funny suspense classic (Wake in Fright); a literate, witty Gregory Peck Western (Billy Two-Hats); fast and funny comedies (Fun with Dick and Jane, Who is Killing the Great Chefs of Europe); and dramedies where the laughs coexist with unsettling insights into the dark side of the human condition (North Dallas Forty, The Apprenticeship of Duddy Kravitz). All of his films are characterized by a vibrant pictorial sense – no one […]