Directors
Interviews - Directors
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Brian De Palma on Directing Actors and The Boardroom Scene in Scarface
A master director gets the cinematic treatment he deserves in Noah Baumbach and Jake Paltrow’s De Palma, which is quite simply the greatest film about filmmaking that I’ve ever seen. That it consists almost entirely of a feature-length interview with its subject, interspersed with impeccably selected clips from his films, makes it all the more remarkable – it’s a deceptively simple piece of work that yields infinite insights. Using the intimacy gained from their years-long friendship with the auteur, Baumbach and Paltrow interrogate Brian De Palma about each of his films in chronological order, and the result is not only […]
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Remaining Gaps: Thom Andersen Discusses The Thoughts That Once We Had
The Thoughts That Once We Had (2015) takes the form of a conversation. The most recent feature by American filmmaker Thom Andersen unfolds as a running dialogue between him and the late French philosopher Gilles Deleuze, who wrote extensively about cinema. Throughout this new film, clips from older films are interwoven with lines of text that appear onscreen — some of which are direct quotations from Deleuze, and some of which are personal ruminations, responses, and elaborations from Andersen, who taught his two volumes on cinema for a quarter-century at the California Institute of the Arts (CalArts). A few of […]
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“Stupidity is the Only Big Risk”: Chevalier Writer/Director Athina Rachel Tsangari on Power, Greece and Filmmaking without Rules
Athina Tsangari is a director and producer whose films examine the negotiation of power. While they span genres and approaches, her pictures — including her latest, Chevalier — are consistently organized around this theme. Chevalier takes place on a boat in the Aegean Sea. The men on board decide to play a game in which they judge each other on… everything. I spoke with Tsangari about her past and future projects and about returning to Greece, which has just wrapped up another tense debt relief negotiation with the IMF and EU. Chevalier opens at the IFC on Friday. Chevalier opens today […]
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“Why Don’t We Just Make it Seven-and-a-Half Hours?” Director Ezra Edelman on O.J.: Made in America
How could close to 150 million people watch with rapt attention the exact same televised trial and come away with such passionately different responses to the verdict? Ezra Edelman’s epic, important and masterful documentary, O.J.: Made in America, spends close to eight hours exploring why you might have felt very differently from your neighbor. And, despite its length, nothing included is filler. OJ: Made in America, will air on ABC and ESPN beginning June 11th. I sat down with Edelman — a producer and director whose previous works includes sports documentaries for HBO and ESPN’s “30 for 30” series — […]
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Five Questions for Almost Holy Director Steve Hoover
In the early 2000s, amid political turmoil in the Ukraine, a pastor named Gennadiy Mokhnenko battled child homelessness and drug addiction using unorthodox methods. The controversial pastor abducted homeless children, many of whom suffered drug addiction, and forcibly brought them to Pilgrim Republic, a rehabilitation center he founded in the city of Mariupol. Relying on a mix of interviews and footage which tracks the self-appointed savior’s mission over fifteen years, Almost Holy is a complex portrait of a complex person. The film was directed by Steve Hoover, who directed the Sundance Grand Jury and Audience prize-winning Blood Brother, which also focused on a self-appointed savior […]
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Directors Frida and Lasse Barkfors on Their Complex Portrait of a Sex Offender Community, Pervert Park
When first-time filmmakers Frida and Lasse Barkfors read an article in a Danish newspaper about a community of sex offenders living in Florida they immediately wanted to go there. Traveling from Scandinavia to Florida they were surprised by the place they found. Without any outside funding, the couple soon embarked on the four-year process of making their first documentary about the Florida Justice Transitions Park — commonly referred to as “Pervert Park,” telegraphing the opinions held by the rest of society. Pervert Park, which won the World Cinema Documentary Special Jury Award for Impact at the 2015 Sundance Film Festival, […]
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Being Reborn as a 16-Year-Old Girl: Nicholas Winding Refn on His Vampiric Assault on the Beauty Industry, The Neon Demon
Nicholas Winding Refn’s new The Neon Demon, premiering in Competition at the 2016 Cannes Film Festival, is a nightmarish, outlandish fashion-world riff on A Star is Born in which vampiric models struggling to remain alluring in a swipe-to-the-next-one culture provide a ready-made metaphor for beauty industry soul-sucking. Elle Fanning is Jesse — blonde, beautiful, 16, and something of an empty vessel waiting to be anointed the next “It Girl.” Her journey through Angeleno nightclubs, booking agencies and photography studios is one of ribald psychological horror, as physical spaces twist and expand, friends become alien, and even her scuzzy, entirely unfashionable […]
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Cannes, 2016: Five Questions for Tramontane Writer/Director Vatche Boulghourjian
Finding political resonance within the intimate story of a blind man, his past, and the Lebanese countryside, Tramontane is the debut feature of filmmaker Vatche Boulghourjian. Based in Beirut, Boulghourjian studied at NYU Film School, and his filmmaking draws upon the community he found in both his home and place of study. Premiering in Critics’ Week at the 2016 Cannes Film Festival, Tramontane also received early development support from the Venice Biennale College Cinema, where I was one of its mentors several years ago. At the time, I was struck by Boulghourjian’s intelligence, empathy and ability to articulate the larger […]
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Symphonies and Singin’ In the Rain: Terence Davies on Sunset Song
A long-in-the-works passion project, Terence Davies’ adaptation of Lewis Grassic Gibbon’s novel Sunset Song follows Chris (Agyness Deyn), a Scottish farmer’s daughter whose marriage to Ewen Tavendale (Kevin Guthrie) collides straight into the early days of World War I. There are familiar Davies visual and thematic motifs throughout — the film’s first part tracks Chris’ hellish family life under the tyrannical reign of another bad father (Peter Mullan), a wedding sequence has group sing-alongs, and a sweeping crane shot of a muddy WWI battlefield is a textbook example of his penchant for camera movement as primary narrative propellant. In the days before […]
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“Help a Director Out as an Actor by Being a Good Soldier”: Jason Batemen on The Family Fang
After more than 30 years on screen — from his baby-faced days on Little House on the Prairie to his work on Arrested Development — Jason Bateman directed his first feature in 2013 with Bad Words. He now returns behind the camera with The Family Fang, an adaptation of the 2011 bestselling novel by Kevin Wilson. The Family Fang charts the 40-year saga of a family led by a pair of eccentric performance artists: Caleb (Christopher Walken) and Camille (Maryann Plunkett) Fang. In the ’70s, the Fang parents enlisted their children Baxter (Bateman) and Annie (Nicole Kidman) to act in their abrasive art projects. […]
