Nefertite Nguvu, whose works include two well-received shorts and a ten-part web series on female emcees, The Road to U.N.I.T.Y., makes her dramatic feature debut with In the Morning, premiering tonight at the Urbanworld Film Festival. “In The Morning,” the film’s website describes, “is about love and transitions. It examines the complexities of love from the perspective of three women in the midst of some hard won self-transformation. It’s a mood piece that weaves together three stories about personal growth and the power of choice and action.” Below, we ask Nguvu about films set in one day, Brooklyn and working […]
Making his directorial debut with a nighttime two-hander, Before We Go, actor Chris Evans has gravitated to dramatic material far removed from the effects-driven world saving of his Captain America movies. Starring alongside Alice Eve, Evans puts his own spin on the “one night” film, a sub-genre that has been explored over the years in pictures ranging from Before Sunrise to Into the Night to In Search of a Midnight Kiss. Here, Evans tells us what he tried to do differently and what’s unique about Gotham at night. Before We Go premieres this week at the Toronto International Film Festival. […]
With the recent Berberian Sound Studio and now The Editor, we’re in a bit of a giallo revival. Or, more accurately, the gory, gloriously art decorated Italian horror thrillers of the 1970s have inspired a new generation to pay homage in the form of their own meta-commentaries. Interestingly, Peter Strickland’s Berberian Sound Studio and this year’s Toronto-premiering The Editor both feature post-production crew as their protagonists. In Berberian Sound Studio, it was a foley artist; in The Editor, Matthew Kennedy and Adam Brooks’ horror comedy, our hero is a once-vaunted picture editor who, following an accident, now must wield his […]
It’s hard to think of a documentary that was more effective in getting viewers to at least think about altering their behavior than Robert Kenner’s Food, Inc. If you walked out and didn’t change your grocery-shopping habits or scan a food label, then you must have fallen asleep during the movie. But Kenner’s follow-up, Merchants of Doubt, would seem to face a challenge in the “call to action” department. Here, Kenner deals with climate change, an urgent issue that requires not simply single actions but massive social and economic change to conquer. Climate change, however, is the film’s broad focus. […]
In Still Alice, based on Lisa Genova’s novel, Julianne Moore plays a Columbia University linguistics professor with early-onset Alzheimer’s disease, a diagnosis that threatens to erode her relationship with her family as well as the city she has long called her home. With a supporting cast including Alec Baldwin, Kristen Stewart and Kate Bosworth, Still Alice promises a realistic depiction of the disease by one of America’s finest actresses, and it’s a return to character-based human dramas by the directorial duo of Richard Glatzer and Wash Westmoreland, whose films include The Last of Robin Hood, the Sundance Grand Prize-winning Quinceañera […]
Five years after transitioning from producer to director with the HBO veteran drama, Taking Chances, Ross Katz returns to the director’s chair with a comedy about going home. Nick Kroll plays a young entrepreneur whose product launch has flamed out, who has burned through his investors’ dough, and who has lost his girlfriend. He returns home to work as a nanny for his sister’s young child in what is described as a movie about beginning again. Adult Beginners world premieres at the Toronto International Film Festival on Monday, September 8. Filmmaker: After having written and produced your directorial debut, you’re […]
Based on its stellar reviews out of Venice and Telluride, Ramin Bahrani’s “eviction stunner” 99 Homes infuses the sad and infuriating tale of America’s real estate bust with visceral, gut-punching drama. Andrew Garfield and Michael Shannon star as the down-and-out construction worker and shady realtor who come up with a get-rich scheme involving, of course, the exploitation of those even less fortunate. Screening Monday, September 8 at the Toronto International Film Festival, 99 Homes is already picking up Oscar buzz. Below, we ask Bahrani about researching real estate, name actors and the decline of Western civilization. Filmmaker: What attracted you […]
The “Match of the Century” — the 1972 chess tournament between American master Bobby Fischer and Russian star Boris Spassky — is brought to life in Pawn Sacrifice, the latest drama from director Ed Zwick (The Last Samurai, Legends of the Fall). Detailing not just the history of the event but the emotions, psychologies and even paranoias of its principal players, the film casts two great actors — Tobey Maguire and Liev Schreiber — in a picture not just about the sport of chess but also the Cold War rivalries of the time. Indeed, Pawn Sacrifice premieres at a time […]
After screening his debut feature, Carre Blanc, at the Toronto International Film Festival in 2011, French director Jean-Baptiste Leonetti returns to the festival to world premiere his latest, The Reach. Described as a cat-and-mouse thriller about a corporate shark and the young guide he hires for a hunting trip across the Mojave desert, it stars Michael Douglas, whose capacity for embodying and, through his performances, critiquing American greed is unquestioned. Below we ask Leonetti about Douglas, maintaining tension in a two-hander, and the differences between French filmmaking and American. Filmmaker: In both this film as well as Carre Blanc, class […]
“Before Sunrise with a supernatural twist” is how Toronto programmer Colin Geddes preps us for Spring, the second co-directed feature by Justin Benson and Aaron Moorhead. In their earlier Resolution, the two explored themes of friendship and substance abuse within a twisty, ironic horror narrative. Here, as Geddes indicates, they decamp for abroad, settling their film in Italy where a young American traveler (Lou Pucci) falls for a beautiful German woman (Nadia Hilker). A (“terror”) romance follows. Below, we talk to the two directors about shooting abroad and trying to stay original when working within the horror genre. Spring has […]