Interviews
Interviews
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The POV Conversation: Josh Aronson and Adam Larsen on Documenting Culture
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. Last month we continued this series with a discussion between filmmakers Stephen Maing and Lixin Fan. This week we are featuring a conversation between Adam Larsen, whose first feature length documentary film Neurotypical is currently streaming on the POV website, and Josh Aronson, director of Oscar nominated documentary on deafness Sound and Fury. Here the two consider their work helps to define different cultures. Click here to watch Larsen’s Neurotypical, an exploration into living with autism and how it reflects on what it […]
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How Lee Daniels Made The Butler His Own
When it comes to the hubbub, headlines, and advertising that predated the release of Lee Daniels’ The Butler, it’s best that you forget what you’ve heard, barring whatever thoughtful reviews or interviews you’ve come across. A decades-spanning epic primed and packaged for awards buzz, the film has been sold as a rather generic historical saga — the kind of “important” Oscar bait whose trailer comes with the requisite sweeping score. In short, the movie, a Weinstein Company release, has been Weinstein-ized to a fault. There’s even the title debate that put producer Harvey Weinstein at the forefront, and saw him […]
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Five Questions with Cutie and the Boxer Director Zachary Heinzerling
The following interview was originally published in April 2013 to coincide with the screening of Cutie and the Boxer at the Tribeca Film Festival. Zachary Heinzerling’s film is being released theatrically through RADiUS-TWC tomorrow. Zachary Heinzerling’s debut film, Cutie and the Boxer, has been one of the documentary hits of the festival circuit this year following its world premiere at Sundance, where Heinzerling won a directing award. A narrative study of the relationship between famed boxing painter Ushio Shinohara and his artist wife, Noriko, the film explores their creatively exorbitant marriage and all of the intimacies therein – from their quirky flirtations […]
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The POV Conversation: Josh Aronson and Adam Larsen on Getting into Documentaries
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. Last month we continued this series with a fascinating discussion between filmmakers Stephen Maing and Lixin Fan. This week we will be following a conversation between Adam Larsen, whose first feature length documentary film Neurotypical is currently streaming on the POV website, and Josh Aronson, director of the Oscar-nominated documentary on deafness Sound and Fury, also a POV alum. Here the two discuss how they found their way to making documentary features. Click here to watch […]
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Rodney Evans on The Happy Sad
An exploration of two couples — one black and gay, the other white and hetero — Rodney Evans’ The Happy Sad suggests with a light, deft touch the increasingly commonplace sexual fluidity that millennials are embracing as normative sexual categories fall away. Of course, there are difficulties. Partner swapping, open relationships, explorative homosexuality are nothing new, but even in the swingin’ hipster’d Brooklyn from which Evans tells his tale, complications arise, feelings are hurt, egos are shattered, these feelings only heightened by the ever present realities of race and class. A timely meditation on all of these things, the movie […]
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“In the Same Way Painters Used Their Paint…”: D.P. Bradford Young on Ain’t Them Bodies Saints and Mother of George
In just a few years, Bradford Young has emerged as one of the most auspicious and distinctive cinematographers in American independent film. First noticed in 2011 for his work on Andrew Dosunmu’s Restless City and Dee Rees’ Pariah, he was profiled by the New York Times the following year for his subtle, carefully framed cinematography on Ava DuVernay’s Middle of Nowhere. In just the past year, Young confirmed his early promise with two sumptuous and yet highly disparate visions: for David Lowery’s Texas-set period film Ain’t Them Bodies Saints (opening this week) and Dosunmu’s Brooklyn-based contemporary drama Mother of George […]
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David Lowery on Editing Ain’t Them Bodies Saints
David Lowery made waves last year in the independent film world with the news that Ain’t Them Bodies Saints — the follow-up to his $12,000 feature film St Nick (2009) — had attracted the stellar cast of Rooney Mara, Casey Affleck and Ben Foster. It quickly became one of the year’s most anticipated independent films, premiering at the 2013 Sundance Film Festival and Cannes Critic’s Week, and set to open in the US on August 16. The contemporary Western about a young couple torn asunder by a robbery gone wrong features shootouts and other elements of an action movie, but […]
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Donal Mosher and Michael Palmieri on Off Label
The ubiquity of Big Pharma’s influence in modern medicine isn’t news and given the ever skyrocketing prices for many prescription medications, it’s ripe territory for outrage, but in their newest documentary, filmmaking team Donal Mosher and Michael Palmieri aren’t out to stoke your anger, but engage your empathy and your intellect. Their new film, Off Label, follows the lives of eight Americans, most of whom exist on the margins of society, whose lives have been utterly transformed, usually for the worse, by prescription drugs. In places like Iowa City and Detroit, the duo find story after story of addiction and […]
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Andrew Ellard on Writing for Film and Television
This is the first of a three-part series on the independent horror film AfterDeath, which is currently in post-production. The first part is an interview with writer Andrew Ellard, while the following parts will feature an interview with producer and co-director Gez Medinger. In school, Andrew Ellard thought he wanted to be a cartoonist, but it took a long time and a “not very successful A-level art” for him to realize that he actually couldn’t draw. This led him to a second revelation; that he wanted to tell stories — he’d just picked the wrong medium. After finishing school, Ellard […]
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Pattern Recognition: Havana Marking on Smash and Grab: The Story of the Pink Panthers
Last Sunday, the most lucrative jewelry theft in world history was pulled off by a lone gunman at Cannes’ posh Carlton Hotel, the same one featured in Hitchcock’s classic light thriller To Catch a Thief. It was the fourth such high-profile jewelry heist in just the past few months. Although the most recent heist was pulled off by a lone gunman, it is highly unlikely that he acted without a team, one which worked for months if not years casing the venue, sizing up the security and concocting a reasoned and accomplishable scheme. Fitting then this week that British documentarian Havana […]
