In television, the position of the showrunner covers so much territory and entails supervising so many different jobs that it can be difficult to define. Many showrunners are writers who create their series. Others are hired to execute a creator’s vision, but all have vital responsibilities stretching across the entirety of a season, from pre-production work with writers to supervising the directors and production team during shooting and overseeing vital post-production work. One showrunner from a writing background is Soo Hugh, who began her career on the feature side of the industry but switched to television when she was hired […]
Max Walker-Silverman’s A Love Song pits a pair of reconnected childhood sweethearts—both now widowed—against the backdrop of an intimate American West. Shot in rural Colorado in the midst of the COVID pandemic, the film required precautions in excess of what was stipulated in then-new union guidelines, necessitating everyone involved to enter and form a “bubble” for the duration of production. First-time producer Jesse Hope discusses the difficulties and rewards of such an approach and how his experience working on sets with directors like Quentin Tarantino and the Coen brothers prepared him to take the reins. Filmmaker: Tell me about the […]
The Sundance Dramatic Competition entry Nanny, a horror story about an immigrant domestic child-care worker in New York who’s saving to bring her own young son over from Senegal, is the first feature produced by New York-based Nikkia Moulterie. It’s her reunion with writer/director Nikyatu Jusu after producing the writer/director’s excellent 2019 short, Suicide by Sunlight, and it follows a decade-long career producing shorts, UPM’ing features and producing commercials and music videos. Below, Moulterie discusses the way she met and bonded with Jusu, the challenges of producing a feature during the COVID-19 pandemic, and the advice she’d give to new producers […]
The big sale — to Apple for a reported $15 million — of the 2022 Sundance Film Festival, Cha Cha Real Smooth is writer, director and lead actor Cooper Raiff’s follow-up to his 2020 debut, SHITHOUSE. Again essaying a twentysomething young man navigating the indeterminate period before real life and real romance takes hold, Cha Cha Real Smooth finds Raiff’s character, Andrew, working a dead-end fast-food job while working side gigs as a bar mitzvah party starter and babysitter. When he demonstrates a rapport with a 12-year-old autistic girl (Vanessa Burghardt), her mother, Domino (played by Dakota Johnson, also a […]
As a young woman, Tanya Seghatchian remembers laughing, crying and suffocating through Jane Campion’s early work, a cinematic compass she had internalized by the time she began her first job for the BBC—researching a two-part TV documentary about John Ford, pioneer of the American western. Over the years, Seghatchian’s trajectory expanded across genres and scales, from coproducing the first two Harry Potter films and executive producing more than 20 episodes of The Crown to producing Pawel Pawlikowski’s My Summer of Love and Cold War, the latter of which was nominated for three Academy Awards, including Best Foreign Language Film, in […]
As pre-production was ramping up on his first narrative feature, the pressure to find the perfect shooting location was weighing on Pete Ohs. While he and co-director Andrea Sisson eventually shot the film several hours outside LA — Everything Beautiful is Far Away stars Julia Garner and Joseph Cross, and was released by The Orchard in 2017 — Ohs theorized that knowing his shoot location before coming up with his next story idea would relieve some pressure from the narrative filmmaking process and, in turn, win back invaluable time for creative exploration. The result is Youngstown, Ohs’ sophomore feature which […]
With all the changes that have been taking place in the film industry over the last few years, I’m always fascinated by the filmmakers who seem consistently able to adapt to the shifting landscape while still remaining true to their own tastes and sensibilities—the producers and directors whose careers span decades and show no sign of decline. The release of Disney’s new adventure film Jungle Cruise gave me the opportunity to talk with two such filmmakers, producers John Davis and John Fox. Davis has produced over a hundred movies and TV shows going back to the 1980s and early ’90s, […]
Earlier this year, REI, the Seattle-based specialty outdoor retailer, announced the launch of REI Co-Op Studios, a content division that is already producing short films, features, podcasts and a magazine. One early progenitor of the new initiative was last year’s REI partnership in the production and release of The Dark Divide, a feature directed by Filmmaker 25 New Face Tom Putnam and starring David Cross and Debra Messing. The well-reviewed film is a real-life story of a butterfly expert on a trek through the wilderness of the Gifford Pinchot National Forest in Washington, a tale that is representative of REI’s […]
Premiering at Sundance back in the pre-pandemic festival days (uh, January) Mucho Mucho Amor is a much-needed uplift in these trying times. Co-directed and produced by Cristina Costantini (Science Fair) and Kareem Tabsch (The Last Resort), and produced by Alex Fumero (I Think You Should Leave with Tim Robinson), the doc, which hits Netflix today, is a fascinating odyssey into the beautifully eccentric world of Walter Mercado. Combining the fashion sense of Liberace with the relentless positivity of Tammy Faye Bakker, the Puerto Rican astrologer, psychic and defiantly nonbinary pioneer spent decades spreading his mantra of “mucho mucho amor” to an audience […]