[PREMIERE SCREENING: Tuesday, Jan. 25, 3:00 pm — Egyptian Theatre] I believe that All Your Dead Ones is actually built upon surprise. It is a project that we decided to undertake with a very reduced production team and that meant that surprises would abound and appear around every corner: for instance, the weather conditions are very variable in the region where we shot the movie and this complicated even further our challenge of using only natural light right at the moment were the sun is completely perpendicular. Every day we were forced to expect the climatic surprise of the day, […]
[PREMIERE SCREENING: Tuesday, Jan. 25, 6:15 pm — Eccles Theatre] I was surprised at how often life imitated art on The Convincer. Starting with my own behavior, which mimicked that of the main character, who is a salesman who uses any tactic he can to get others to do what he wants them to do. I had to convince people to work on a low-budget movie in the middle of winter. I’m from the Midwest; I know what it’s like. We had actors on a frozen lake at 3 a.m. in street clothes, and doing their own stunt driving on […]
Originally printed in our Fall 2010 issue, we asked a number of leading independent producers about their producing models and how they’re finding everything from financing to material to office space. Lynette Howell has three titles in this year’s Sundance: Chris Kentis & Laura Lau’s Silent House, Azazel Jacob’s Terri and Andrew Okpeaha MacLean’s On The Ice. How to pay oneself a salary, maintain an office and employ assistants? And embrace risky projects? For Lynette Howell the answer is staying in constant motion. Raised in working class Liverpool, Lynette Howell decided to drop her British accent after just a few […]
[PREMIERE SCREENING: Tuesday, Jan. 25, 6:00 pm — Egyptian Theatre] We had decided to shoot in a small town located in the Jura (a mountainous area), which would generate lodging problems for the technical team and for actors. The town hall and the inhabitants were really eager to welcome this shooting and had done everything to make our arrival possible. We found ourselves lodged in the former premises of a prestigious French bank, disused but yet sumptuous. We had at our disposal a significant place which allowed the technical and arts teams to live together during the four-week shoot. Villagers […]
[PREMIERE SCREENING: Tuesday, Jan. 25, 12:00 pm — Temple Theatre] Destiny never fails to astonish me. In this case, a story told long ago comes back and speaks to us in a surprising way in the present. When I went to Guatemala in 1982, the sole genocide of the 20th century in the Americas was unfolding and I was shooting my first feature-length documentary there called When the Mountains Tremble. More than 25 years later that film and all the filmic outtakes are being used as forensic evidence in a genocide case against two of the generals in my original […]
On Friday night the IFP and 7 For All Mankind put the spotlight on seven talents that soon will get your attention. Nestled in the TR Suites in Park City, the 7 Fresh Faces In Film party rocked late into the night. Attendees included industry vets like producers Ted Hope, Vanessa Hope, and Jamie Patricof; Visit Films topper Ryan Kampe; Slated’s Duncan Cork; new media expert and consultant Brian Newman; filmmaker and distribution guru Jon Reiss; the much buzzed about cast of Pariah and even Olympic snowboarder Shaun White. But the night belonged to these seven faces. Olivia Crociccha – […]
[PREMIERE SCREENING: Monday, Jan. 24, 11:30 pm — Library Center Theatre] My biggest surprise was the miracle of locations we were able to shoot in for free in our “no budget” New York City movie. They were of course all simultaneously open for business, and part of shooting in this vein means that you have to be willing to work in a stop-and-start fashion. First we had asked if we could shoot a day in the stationery store. Then that day turned into two, three, five, seven days… They always said yes, and it always surprised me. Especially after some […]
[PREMIERE SCREENING: Monday, Jan. 24, 6:15 pm — Eccles Theatre] The surprises began during the initial writing process. I started typing the script not knowing where it was going — not at all in fact. I was just following impulses. Characters emerged from the ether that I did not expect, and a plot emerged without forethought — at least not the kind of structured forethought of an outline or the weeks of pondering and planning that I so often engage in before I begin to write scenes. Truthfully, I had no idea that the keys I was hitting would turn […]
[PREMIERE SCREENING: Monday, Jan. 24, 6:00 pm — Egyptian Theatre] The biggest surprise for me in making this movie is the emotional power of the finished product. As someone with a strong documentary background, making this movie opened my eyes to how powerful the dramatic narrative arc can be when you get it right. We took so many risks on so many levels that I guess I’m still amazed that all the pieces have come together and that the end result gels so beautifully with the music. The performances are a big part of this too — they’re really raw […]
[PREMIERE SCREENING: Monday, Jan. 24, 5:30 pm — Library Center Theatre] The biggest surprise for me was how hard it was to cast the role of Michael. During the months of writing and toiling over every beat, I never imagined that the success of our film would come down to finding a miracle child who would wow audiences the world over. Gun Hill Road is the story of a Latino father who returns home after three years in prison to discover his teenage child Michael exploring sexual identity and an alternative lifestyle in ways he can’t possibly comprehend. Casting the other two […]