Financing
Filmmaking - Financing
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Rooftop Filmmakers Fund Grant Winners for 2015 Announced
Rooftop Films, which is heading into its 20th season, has awarded 13 cash and service grants to alumni filmmakers. The GarboNYC Feature Film Grants were awarded to directors Kitty Green and Sebastian Silva. Green will receive a monetary grant of $15,000 to help finish her new film, Casting JonBenet, and Silva will receive a $10,000 grant to support his film, Demon Me. Casting JonBenet, a documentary about the infamous murder of child model JonBenet Ramsey, marks Green’s second feature after her 2013 documentary debut Ukraine Is Not a Brothel. Among the films Silva has directed are Crystal Fairy & the Magical Cactus and Nasty […]
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Support Tangerine’s Juice Fund to Boost Emerging Female Talent
You’ve seen the abysmal statistics about women filmmakers, yet they still manage to shock. According to a recent study by the Center for the Study of Women in Television and Film at San Diego State University, the number of women directing the top 250 grossing films declined by 2% over the past 17 years. And that’s just one measurement. In 2013, Amy Hobby and Anne Hubbell launched Tangerine Entertainment with the express purpose of giving voice to more female directors. Now they are raising funds on Seed&Spark to support The Juice Fund, an annual award which recognizes women directors who have […]
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The Gucci Tribeca Documentary Fund is Open for Submissions
Good news for filmmakers looking for finishing funds to complete a feature-length documentary which highlights a social issue: The Gucci Tribeca Documentary Fund is open for submissions through February 5, 2016. Even better, there is no application fee. The Gucci Tribeca Documentary Fund will provide funding to four-to-10 feature-length documentaries. In addition, The AOL Charitable Foundation Award, a subset of the Fund, gives grants to four filmmakers whose feature-length documentaries illuminate the lives of women and youth around the globe. Previous grantees of The Gucci Tribeca Documentary Fund include Marshall Curry’s Point and Shoot, Marc Silver’s 3 1/2 Minutes, Leslee Udwin’s India’s Daughter […]
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The 5 Minor Epiphanies of the 2015 IDFA Forum
The IDFA Forum is one of the oldest pitch roundtables in the world specifically for documentaries. It’s a yearly event that gathers some of the biggest broadcasters in Europe, Canada, and the US, as well as other financiers, foundations, and distributors to hear about some of the most compelling new documentaries that are being produced independently. The format that is used at the Central Pitch is a seven-minute pitch followed by a seven-minute response from many of the broadcasting Commissioning Editors. The vibe is very collegial and only occasionally contentious, as filmmakers justify their choices and explain their projects in […]
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“To Make an Independent Movie is Delusional in a Way”: Alaska is a Drag‘s Shaz Bennett and Melanie Miller at US in Progress
US in Progress is a biannual event held in June during the Champs-Elysées Film Festival in Paris and in October during the American Film Festival in Wroclaw. It’s a five-year-old industry event that aims to strengthen transatlantic film collaborations and partnerships between European industry and emerging American filmmakers. The fifth US in Progress recently held in Wroclaw featured six films in various editing and post-production stages. The participants included: Mike Ott and Nathan Silver, Actor Martinez Shaz Bennett and Melanie Miller, Alaska is a Drag Zachary Shedd and Daniel Patrick Carbone, Americana Benjamin Kruger, It Had to Be You Joel […]
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IFP Screen Forward: 5 Questions for Producer Peter Phok about Crowdfunding’s Aftermath
Producer Peter Phok (The Sacrament, The Innkeepers, V/H/S) is one of five professionals this morning at an IFP Screen Forward panel titled “Bridging the Gap after Crowdfunding.” The title of the panel is an interesting collision of terms as only recently has crowdfunding been factored into independent film financing equations alongside terms like “mezzanine,” “senior debt” and “tax credit monetization.” But, indeed, crowdfunding is part of many independent films’ financing schemes, and its success — or failure — has much to do with a film’s greenlight. Below, Phok answers questions about film and crowdfunding. Filmmaker: Your panel is called, “Bridging […]
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IFP Screen Forward: 5 Questions for Sales Agent and Producer Bill Strauss
You can conceive an ingenious plot, pen the perfect script, even begin to line up your ultimate cast — but it all risks being for naught if you can’t sell your vision. Even today, as alternative platforms emerge onto the distribution landscape, a successful pitch and getting that greenlight remains one of the most critical steps towards your project seeing the light of day, not to mention one of the most intimidating. But what goes into — and stays out of — making a powerful pitch? How do the people on the other side of that desk approach the process […]
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IFP Screen Forward: 5 Tips on Pitching Web Series
The on-stage pitch has become a staple of documentary film forums, like IDFA and CPH:DOX, and pitch panels long ago snuck into events like IFP’s Screen Forward Conference (previously the Filmmaker Conference). But the on-stage pitching of web series is something relatively new at these more film-oriented events. Befitting the IFP’s conference name change, three filmmakers storytellers took the stage Sunday at noon at the Bruno Walter Auditorium to impress a panel of web content professionals with their ideas of episodic tales to be streamed online. But given the Wild West nature of web series, where buyers, monetization strategies and […]
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Nine Answers for Anxious Film Investors
The process of finding investors for independent film can be trying, to say the least, but it can also be illuminating. Anyone who has ever attempted to find money for a film knows that there are typical questions that always get asked by first-time investors: How will I make back my investment? When do the investors get paid? How is the deal structured? Can I come to the premiere? While looking for partners for Lazy Eye, our micro-budget feature, writer/director Tim Kirkman received an e-mail from a potential investor who had forwarded our package to a friend/advisor. The email contained […]
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Finding Soul at U.S. in Progress at the Champs-Élysées Film Festival
Bonjouring my way down the Champs-Élysées, I arrive at Ladurée, a Parisian bakery nearly as iconic as the Arc de Triomphe. I sit among film distributors and we are presented with food almost too pretty to eat. We are in Paris for U.S. in Progress, a joint program between Black Rabbit Film and the Champs-Élysées Film Festival. The purpose is to expose U.S. indie films in post-production to European buyers and distributors and introduce the American filmmakers to the European market. The three-day event is organized bi-annually, first during the Champs-Élysées Film Festival and again during the American Film Festival […]
