Filmmaker: Why this movie? Why did you decide to do it? Chevigny: My co-director, Ross Kauffman, and I were intrigued by the fact that no one had ever been granted access to make an independent film about Human Rights Watch researchers in the field. We knew their work was fascinating and thought it was an interesting opportunity. And once we actually met the member of the E-Team in person, we knew there were some great characters there. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Chevigny: My co-director, Ross Kauffman, is a man. Our […]
Fans of Desiree Akhavan and Ingrid Jungermann’s comedic web series The Slope could not have guessed at the impressive range that Akhavan displays in her debut feature, Appropriate Behavior. As emotionally devastating as it is uproarious, Behavior stars Akhavan as Shirin, a woman dealing the aftermath of a breakup with a serious girlfriend (Rebecca Henderson), as well as her prolonged struggles to come out as bisexual to her Persian-American family. The film rings deeply personal and true, and Akhavan manages to establish herself as a real star-to-watch and the rare triple threat – a witty writer, a nimble director, and […]
Director Joseph Oxford and cinematographer Bradley Stonesifer created an imaginary world using cardboard boxes and rubber bands for their animated short film Me + Her. A labor of love that evolved over four years, their work was rewarded when the film was accepted into Sundance’s Short Film program. Oxford has worked in the industry since 2007 in a variety of roles, including production assistant and art director, but Me + Her is his first project as writer and director. Oxford first met cinematographer Stonesifer through a director friend, and they both worked on the film The Vicious Kind in 2008. […]
Filmmaker: Why this movie? Why did you decide to do it? Freeland: I grew up on the Navajo reservation and one thing that struck me growing up was that I never saw anybody that I recognized in the movies. I wanted to tell a story about the people and experiences I saw growing up and that’s what set me out to try and make this movie. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Freeland: I’m not sure, honestly. Our pre-production schedule was only 3 weeks and our shoot schedule was only 15 days. […]
The following article originally ran in Spring 2013, when Street was on display at the Metropolitan Museum of Art in New York City. It is republished here to coincide with it playing as part of New Frontier at the 2014 Sundance Film Festival. In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn […]
As much a tribute to the films of the 80s as it is a tribute to the 80s themselves, Michael Tully’s Ping Pong Summer is a strangely sweet, knowingly retro coming-of-age story. Set against the unique and colorful backdrop of 1980s Ocean City, Maryland, the film follows the aptly named Radical Miracle (newcomer Marcello Conte) across a summer of old-school arcade games, teen romance, breakdancing, and of course, plenty of ping pong. Weaving the idiosyncratic style of his previous feature Septien (which premiered at Sundance back in 2011) into a warmer, more universal (yet no less distinctive) tapestry, Tully has […]
Stuart Murdoch has been a major creative force in the independent music sphere for over two decades now as the lead singer of seminal indie-pop outfit Belle and Sebastian. Over eight albums and roughly a dozen EPs, Murdoch has expertly reinvented himself and his band many times – from the twee folk of If You’re Feeling Sinister to the 80s-inspired pop of Dear Catastrophe Waitress to the Bowie-esque swagger of The Life Pursuit. Never one to rest on his laurels, though, Murdoch is now turning his attention to an entirely different medium with God Help the Girl, his feature directorial […]
Filmmaker: Why this movie? Why did you decide to do it? Shelton: Laggies is the first film I’ve directed that I didn’t also write; the script just really spoke to me. The way that the story unfolds is unexpected but believable, and all the humor comes from a character-based place. Andrea Seigel is a fantastic writer. She’s so facile with creating dialog that feels smart but also breezy. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Shelton: My considerations when hiring crew are: a) competence, and b) relationship (i.e. “is this going to be a […]
For her debut feature, director Gillian Robespierre has done the somewhat unlikely and crafted a warm, winning, genuinely funny romantic comedy that, oh yeah, is centered around an abortion. The story of Donna (the always charming Jenny Slate), a young comedian who, after a bad breakup and an alcohol-fueled one-night stand, finds herself pregnant, Obvious Child offers a refreshingly frank, true-to-life portrait of a woman dealing with an impending abortion. But the film is a lot more than just a comedy built around a hot-button issue – it’s an earnest, lived-in, and warm rom-com about navigating one’s aimless 20s, and […]
Austin, TX-based filmmaker Kat Candler is no stranger to the Sundance Film Festival. In fact, this is her third straight year with a film at the festival. But unlike ‘12 and ’13 (during which she brought the acclaimed shorts Hellion and Black Metal, respectively), Candler will premiere her first feature since 2006, an expansion of her previous Hellion short. The story of 13-year-old Jacob (newcomer Josh Wiggins), a young man torn between an absent father (Aaron Paul) and the Aunt (Juliette Lewis) who has taken him in, Hellion premieres today in US Dramatic Competition. Filmmaker: The Hellion short was built […]