Directors
Interviews - Directors
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“The Film is One Big Conversation. I Could’ve Cut it Ten Different Ways and It Would Still Be the Same Conversation”: Sterlin Harjo on His Netflix Doc Love and Fury
Sterlin Harjo is a longtime Sundance alum who’s directed two docs, three dramatic features and a slew of shorts. He’s also a founding member of Native American comedy quintet The 1491s, and his first comedy series (for FX and streaming on Hulu), the terrifically titled Reservation Dogs, boasts a team exclusively made up of Indigenous writers, directors and series regulars (including EP Taika Waititi who co-wrote the first episode). In other words, Harjo’s identity is solidly Native American (Muscogee Creek/Seminole) and solidly creative artist. Which may make Love and Fury the veteran director’s most personal film yet. (Not to mention his […]
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“I Had the Will and the Emotional Momentum… the Movie was Hyper-Topical, Being Made Basically in Real Time”: Dasha Nekrasova on Her Jeffrey Epstein Horror Film, The Scary of Sixty-First
Dasha Nekrasova wanted all the exteriors in her directorial debut to have the ambience of Christmas in New York. First up: leering gargoyles lining the 15-foot front door of Jeffrey Epstein’s Upper East Side apartment building. Clearly, Nekrasova doesn’t share the same merry Christmas cheer as most. In The Scary of Sixty-First, two roommates move into a semi-furnished apartment that may have been owned by the pedophile billionaire. When an amateur detective hyped up on amphetamines and conspiracies shows up to investigate Epstein’s life and death, the roommates are infected with the haunted truth of their new home. Creating a […]
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“I Would Find Myself Wondering Why My Face Hurt So Much at the End of a Shoot Day, and It Was Because I’d Been Smiling the Whole Time”: Penny Lane on Listening to Kenny G
As with all of Penny Lane’s films, Listening to Kenny G, the idiosyncratic auteur’s TIFF-premiering, DOC NYC-opening, exploration of the beloved/reviled “smooth jazz” saxophonist and his globally ubiquitous sound (to this day “Going Home” signals closing time throughout China) turns a straightforward subject into an unexpected philosophical inquiry. In this case, Lane begins her journey down the G-hole with a simple question: Why does the bestselling instrumentalist of all time, our most famous living jazz musician, “make certain people really angry”? Using interviews with G as well as elite jazz critics and academics as well as archival footage, Lane arrives […]
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“I Wanted People to See the Commonality of the Human Experience Through the Unique Perspective of a Near Mythical Figure”: Christopher Frierson on his HBO Music Box Doc DMX: Don’t Try to Understand
The title tagline “A Year in the Life of Earl ‘DMX’ Simmons” is a rather anodyne description that belies the emotional rollercoaster ride that filmmaker (and podcaster) Christopher Frierson takes us on in his riveting debut feature DMX: Don’t Try to Understand, which currently plays on HBO as part of the channel’s Music Box series. Filmed during what would turn out to be the last year of the acclaimed rapper’s life, the doc moves with lightning speed from packed concerts to corporate conference rooms, from meaningful meetups with fans to intimate reconciliations with family members. It’s a whirlwind of a life, […]
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“Family Was Always On Set”: Valerie Weiss on Mixtape, COVID Rehearsals and Why Directing TV is Great
In the new Netflix film Mixtape, 12-year-old Beverly (Gemma Brooke Allen) tries to learn about her late parents by tracking down the songs they loved, a task made difficult by the pre-iTunes and Spotify era in which the movie takes place. The quest to find the songs—a necessity for Beverly given the unwillingness and inability of her grandmother (Julie Bowen) to answer questions about her mom and dad—yields one of the sweetest, smartest, funniest, and most touching coming of age dramedies since Stand By Me, a film with which Mixtape both invites and earns comparison thanks to its skillfully calibrated […]
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“I Was Directing, and I Ripped My Bicep”: Dolph Lundgren on Castle Falls, On-Set Gun Safety and Fighting with Scott Adkins
At the age of 64 Dolph Lundgren remains as busy as ever, alternating between Hollywood mega-productions like Aquaman and the Lost Kingdom and small-scale action movies like Castle Falls, which he produced, directed, and co-starred in (alongside Scott Adkins). Castle Falls, which opens December 3rd in theaters, on demand and digital, is a compact crime film in which millions of dollars are hidden in a derelict hospital slated for demolition. A prison guard (Lundgren), an ex-MMA fighter (Adkins) and a desperately violent gang converge on the crumbling edifice hoping to strike it rich before everything explodes. I spoke with Lundgren […]
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On Screwball Comedy, Making it Work in the Master and Queer Love Stories: Writer/Director Maria Maggenti on The Incredibly True Adventures of Two Girls in Love
With Maria Maggenti’s 1995 picture The Incredibly True Adventures of Two Girls in Love now in rerelease from Strand Releasing, we’re reprinting our 1995 print issue interview with Maggenti, who has gone on to write and direct Puccini for Beginners, write Before I Fall, and write and write and produce for series such as Motherland: Fort Salem and Supergirl. The Incredibly True Adventures of Two Girls in Love is currently screening at New York’s Metrograph, where Filmmaker‘s Scott Macaulay will be moderating a conversation with Maggenti and Hall on November 24. The below interview has been lightly reedited to add […]
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“The Price Has Dropped to What Per Pound?”: Mario Furloni and Kate McLean on Their Marijuana Legalization Drama, Freeland
The Emerald Triangle—three counties in Northern California— represents the largest region to produce cannabis in the United States. Even so, it hasn’t been a free-for-all for growers and sellers. As pot farming has become legalized in select parts of the west coast, the push for governmentally regulated weed distribution has become an expensive business to invest in, with required permits and enforced rules pushing out more experienced old-timers who made a habit of keeping things affordable and independent. As their businesses are crippled by state legalization, these farmers are forced to take desperate measures or risk losing their livelihood. Mario […]
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“We Found Ways to Combine Drama Therapy with Filmmaking into Something New”: Director Robert Greene on the Netflix Documentary Procession
At the root of the word “procession” is “process” — really a fitting description for any Robert Greene film. But the title of the nonfiction veteran’s latest foray into character-collaborative doc-making has other meanings. It nods specifically to the Holy Spirit’s procession and also to the dictionary definition of people moving forward, a march that includes the risk-taking filmmaker himself. Procession (which premiered at Telluride and just hit Netflix November 19) is perhaps Greene’s boldest cinematic move yet. Once again the director (and “filmmaker-in-chief” at the University of Missouri’s Murray Center for Documentary Journalism) blurs the lines between narrative and nonfiction, […]
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“It Always Seems That the Film Comes Together When You Just Go About Doing It”: Abel Ferrara on the Ethan Hawke-Starring Zeros and Ones
“Jesus was just another soldier, another war casualty — but on who’s side?” That’s military man JJ, played by Ethan Hawke, in voiceover as he walks the COVID-deserted streets of Rome in Abel Ferrara’s new Zeros and Ones. There’s a terrorist plot to blow up the Vatican but JJ’s got a more personal (and possibly intertwined) mission as well: his twin revolutionary brother, Justin (also Hawke), has been captured, and JJ’s nocturnal journey is an attempt to rescue him and possibly find some sort of spiritual salvation along the way. But the above is just the most reductive parsing of […]
