Interviews
Interviews
-
Lance Armstrong as Modern Crime Story: Stephen Frears on The Program
“When I’m out there, physically I’m not more gifted than anybody else. It’s just this desire. This hunger,” intones Ben Foster as Lance Armstrong in the opening narration of The Program. “My mom didn’t raise a quitter and I would never quit. That’s heart, man, that’s not physical. It’s not legs. It’s not lungs. That’s heart. That’s soul. That’s just guts.” That’s the great fallacy of the American underdog sports drama — if you have enough heart and enough guts, you can succeed. It’s the underlying myth of Rocky and even based-on-fact tales of athletic fortitude such as Hoosiers and […]
-
Director Peter Medak Plans to Resurrect The Ghost of Peter Sellers
It was 1973 and Peter Medak was a hot director on the rise. Following the success of The Ruling Class, which had earned Peter O’Toole an Academy Award nomination the previous year, United Artists offered him Death Wish. But when the studio insisted on casting Charles Bronson instead of Medak’s pick, Henry Fonda, Medak passed on the project. Back in London, Medak ran into his friend Peter Sellers, who asked him to direct his next film, Ghost in The Noonday Sun, which was set to be filmed on the island of Cyprus. Somehow the idea of filming a 17th-century pirate comedy aboard real ships on […]
-
Cancer and Video Games: Malika Zouhali Worrall and David Osit on Thank You for Playing
A video gaming experience therapeutic for both players and its grief-stricken creator, That Dragon, Cancer can currently be purchased for use on your Mac/PC and other devices. Created by Colorado-based developer Ryan Green, the independent video game serves as a reflection of a tragedy he and his family recently experienced: the death of Green’s young son, Joel, who passed away after a sustained battle with cancer. Working on the project as Joel was receiving treatment, Ryan and his family incorporated very real moments of personal history into That Dragon, Cancer, even going as far as to sample Joel and his family’s actual voices […]
-
“Framing is its Own Dark Art”: Karyn Kusama on The Invitation
Karyn Kusama’s The Invitation achieves the kind of cinematic alchemy one finds in Blood Simple or the best of Hitchcock, where genre meets philosophy and character to yield something both razor-sharp in its clarity and infinitely complex in its provocations. The script by Phil Hay and Matt Manfredi follows a group of friends over the course of one night when they reunite after a tragedy that has affected all of their lives. The intentions of the hostess, Eden (Tammy Blanchard), are mysterious and only grow increasingly troubling as the night progresses, at least as far as her ex-husband Will (Logan […]
-
Five Questions for SXSW Feature Documentary Winner Tower Director Keith Maitland
One of the busiest filmmakers at this year’s SXSW, documentary filmmaker Keith Maitland has two films premiering at the festival, both with roots firmly in Texas. A Song For You: The Austin City Limits Story is a loving look back at the PBS program that featured some of the music industry’s most iconic talent like Ray Charles, Willie Nelson, and Stevie Ray Vaughn. Tower, a partially animated documentary that incorporates archival footage and first-person testimonials, reconstructs the University of Texas campus shooting that took the lives of sixteen people in the summer of 1966. The Grand Jury winner for Documentary Feature, Tower has been praised for […]
-
“Start Budgeting for Everything You Can’t Do”: Five Questions for Donald Cried Director Kris Avedisian
An acclaimed short that developed into the filmmaker’s first feature, Donald Cried, a buddy comedy set in director Kris Avedisian’s home state of Rhode Island, had its world premiere last weekend in the Narrative Feature Competition section of SXSW. Jesse Wakeman and Avedisian (as the title character) reprise their leading roles as the odd couple pairing, friends reunited in their hometown thanks to the death of a grandmother. Taking John Hughes’ Planes, Trains & Automobiles as its road trip, structural inspiration, the film finds the two men sharing a van as tensions from their past arise. Donald Cried will next screen in the Film Society of […]
-
SXSW: Teenage Cocktail DP Justin Kane on Capturing “Raw Youth”
In his directorial debut Teenage Cocktail, director John Carchietta examines the plight of best friends Annie (Nichole Bloom) and Jules (Fabianne Therese), who just want to get out of their small town and move to California. Nothing is off the table, including webcam modeling, which places the adventurous young women in danger. In advance of the film’s premiere at SXSW, DP Justin Kane talked about his work on the project, going deep into the technical aspects. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being […]
-
“Time, and How to Manage It”: Miss Stevens DP Sebastian Winterø
Building on eight years of pedagogical experience, Julia Hart’s debut feature Miss Stevens tracks a troubled teacher (Lily Rabe) and three of her high school students as they attend a statewide acting competition. Victory means possibly forestalling the closing of their cash-strapped school’s fine arts division, but Hart focuses equally on the complicated relationship between the teacher and her charges. Here, DP Sebastian Winterø (who recently shot Sia’s “Umbrella” video) discusses the importance of making sure the director has enough time, being fascinated by California’s light as a European, and how much work should be done for the DI. Filmmaker: How and why […]
-
Capturing Sweet Innocence: DP Ellie Ann Fenton on the Cinematography of Slash
Expanded from his 2013 short of the same name, Clay Liford’s Slash is a comedy of youthful sexual awakening set against the backdrop of slash fan-fiction, the amateur writing pursuit that places beloved pop culture characters in previously-undreamed-of erotic situations. In his first feature since 2011’s Wuss, Liford gives himself an extra challenge by committing to filming the sci-fi universe of Vanguard, a fictional character made up for the film (to duck the cost of obtaining intellectual property costs to existing characters). We interviewed Liford prior to the film’s premiere; below, DP Ellie Ann Fenton discusses being equally inspired by the cinematography […]
-
Styling the Comedic Horror Film Another Evil like My Dinner with Andre: DP Drew Bienemann
For his feature debut Another Evil, writer/animator Carson D. Mell tackles the risky horror-comedy genre. A husband and wife discover that their vacation home may be populated by malign spirits, bringing in two separate exorcists to deal with the problem. Comedy is courtesy of a cast of familiar TV presences (including Togetherness‘ Steve Zissis and Veep‘s Dan Bakkedahl), horror courtesy of the tone established by Mell and DP Drew Bienemann. Prior to the film’s SXSW premiere, Bienemann talked about being guided style-wise by My Dinner with Andre, getting a recommendation for the job from Jody Lee Lipes and the importance of shooting on an Alexa. […]
