A medical doctor in name only, John R. Brinkley became famous in the ’20s and ’30s for claiming to have found an unusual cure for male impotence: all it would take was the transplantation of goat testicles into his human subjects. A hundred years removed from “discovery,” documentarian Penny Lane (whose Our Nixon was about another very larger-than-life public figure) dives into the life and times of Brinkley, a man whose entire history was based on lies and false acclaim. Filmmaker: Your first feature documentary Our Nixon is compiled from archival footage clearly relevant to American history and politics. Did you set out for your follow-up to be a […]
For the past 14 years Montreal’s Moment Factory has been bucking the online trend to create larger-than-life, physical reality (PR?) experiences that force folks to come together in the flesh-and-blood world. With over 300 multimedia projects in wide-ranging locations under their belt — from the LAX international terminal, to the Atlantic City Boardwalk, to Barcelona’s Sagrada Familia cathedral — the studio is still perhaps best known to Americans for designing Madonna’s halftime spectacle at the 2012 Super Bowl. Filmmaker was fortunate enough to speak with co-founder and creative director Sakchin Bessette about the profession of experience designing, and whether the […]
The first feature film from writer/director Miles Joris-Peyrafitte, As You Are unfolds as the story of three teenage friends in the early 1990s. Joris-Peyrafitte hired Caleb Heymann, a fellow newcomer to feature filmmaking, to shoot the film. Heymann spoke with Filmmaker about shifting aspect ratios, vintage anamorphic lenses and the execution of a tricky long take. As You Are premiered at Sundance 2016 in the U.S. Dramatic program. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Heymann: Producer Sean Patrick Burke had seen […]
Admittedly, it was with a feeling of vindication and satisfaction that I stumbled upon Roger Ross Williams’ most recent short Blackface, now streaming on CNN. The Academy Award-winning director — whose feature Life, Animated premiered this week in the US Documentary Competition at Sundance — is a recent transplant to the Netherlands, and his thoughts upon first encountering Zwarte Piet (“My heart sank and I felt a little nauseated”) were a bit different from my own. As a white American, my initial reaction years ago to seeing both kids and adults in blackface and Afro wigs celebrating in the streets […]
Styled in the vein of American slacker and teen comedies, Brahman Naman is the newest film from Indian indie filmmaker Qaushiq “Q” Mukherjee. DP Siddhartha Nuni shot the film in 23 days in the city of Bangalore. Filmmaker spoke with Nuni about his love of Trainspotting, recreating ’80s-era India and capturing the “confused teenage mind visually.” Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Nuni: The director of the film Q was looking for a cinematographer who had an experience of working under the constraints with which […]
Winner of the Palme d’Or for Best Short Film at the 2015 Cannes Film Festival, Waves ’98 is the debut film from writer/director/animator Ely Dagher. The film is set in Beirut – Dagher’s hometown – and concerns a young man who becomes isolated from reality. Filmmaker spoke with Dagher about the film’s blend of video footage, still photography and animation. The Sundance Film Festival presented Waves ’98 in 2016 as part of its Animation Spotlight shorts program. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being […]
From the director of The Devil and Daniel Johnston, Author: The JT LeRoy Story charts the literary universe created by writer Laura Albert. LeRoy, her literary alter ego, has enraptured and enraged readers since the 1990s. Filmmaker spoke with DP Richard Henkels about he sought to have the documentary “feel like a feature film, not a TV doc.” Author had its world premiere at the 2016 Sundance Film Festival. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Henkels: I was on a […]
The producers of ESPN’s acclaimed 30-for-30 documentary series deliver a nearly eight-hour opus with O.J.: Made in America. The film was shot by Nick Higgins, a seasoned cinematographer behind more than 30 non-fiction shorts and features. Below, Higgins speaks to the visual ideas of a film that’s 90 percent talking heads. He also discusses shooting “eight hour mega monster marathon interviews,” his love of classical portraits and working with a crew of two. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Higgins: In the […]
Documentary filmmaker Dawn Porter first entered the Sundance arena in 2013 with Gideon’s Army, a paean to the work of public defenders. She returns to the festival in 2016 with Trapped, her film about abortion in America. Porter and co-cinematographer Chris Hilleke speak with Filmmaker below about the many hurdles – both aesthetic and ethical – of filming a documentary in an abortion clinic. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Porter: It was really crucial that everyone who shot on this film […]
American indie film champion Bob Hawk has, to date, 28 “special thanks” credits to his name. An early friend and supporter of Kevin Smith, Ed Burns, the Duplass brothers and many others, Hawk has served as a consultant, producer and promoter for many Sundance regulars. In 2016, Hawk gets a Sundance film his own with Film Hawk, a documentary on the man and his influence. Below, Film Hawk DP David “Daps” Reinert discusses the film’s visual style and the stress of filming your idols. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and […]