“I’ve been around so long that I’ve seen the ‘death’ of independent film at least three times” – Christine Vachon, Producing Masterclass Widely regarded as one of the key figures in American independent cinema, Christine Vachon is now well into her fourth decade of film production. Her first feature film as a producer was Todd Haynes’ corrosive, Jean Genet-inspired Poison (1991), which set the tone for the host of fearlessly confrontational films that followed, including Tom Kalin’s Swoon (1992) and Larry Clark’s Kids (1995). In 1996, alongside Pamela Koffler, Vachon co-founded the NYC-based production company Killer Films, which has been […]
If Bob Nelson’s screenplay had been called Iowa, Alexander Payne would have never made Nebraska. “It found its way exclusively to me, because of the title,” said the Omaha-born director before a recent sold-out audience at the TIFF Bell Lightbox in Toronto. Indeed, Nebraska could be mistaken for one of Payne’s scripts, since it shares common story elements with The Descendants, Sideways and About Schmidt: a man hits the road to find himself accompanied by a buddy, uncovers painful yet funny revelations about his past, and arrives at peace with his imperfect life. “Who am I really?” asks his heroes. In Nebraska, Bruce Dern […]
“I feel so sorry for people who are not living in Detroit,” says activist icon Grace Lee Boggs, as she stands before a dilapidated cityscape in the opening sequence of American Revolutionary: The Evolution of Grace Lee Boggs. A Marxist and lifelong Hegel disciple, the Chinese-American Lee Boggs gained notoriety in the Civil Rights and Black Power movements, alongside her husband Jimmy Boggs, in the mid-20th Century. Today, she is still ardently devoted to her adopted hometown of more than half a century, galvanizing the local communities in her effort to revive the industrial wasteland that has become of Detroit. […]
In Dear Mr. Watterson, fellow comic-strip artists, eerily adoring fans and apparently serious comic-strip critics pay tribute to Bill Watterson, an enigmatic man whose sly, dexterous mind and remarkably precise hand are responsible for “Calvin and Hobbes,” a brilliant, widely-read syndicated newspaper strip that haunted the pages of America’s most hallowed dailies from the early 1980s through the mid-to-late ’90s. The film, Joel Allen Schroeder’s first, attempts to earnestly and without irony portray the ostensibly profound impact the “Calvin and Hobbes” strip has had on the lives of peculiar subset of American youth. In an era in which the form truly reached a […]
The following interview was initially published at the time of the film’s world premiere at Hot Docs 2013. This week, The Manor plays as part of DOC NYC. The titular subject referred to in Shawney Cohen’s debut feature has nothing to do with ladies and lords, but with the Cohen family business – a combo strip club/motel in a small Canadian town. And The Manor has nothing to do with in the ins and outs of the sex industry, so to speak, but with the inner workings of the Cohen family, which includes Shawney’s 400-pound father (who bought the place when […]
The interview below first ran as part of Filmmaker‘s coverage of the 2013 Cannes Film Festival, where The Great Beauty had its world premiere. It is released today through Janus Films. Paolo Sorrentino’s latest film, The Great Beauty, premiered in competition in Cannes this year, wowing fans with its over-the-top depiction of modern Rome. Seen through the sad eyes of an aging journalist, Jep Gambardella (Toni Servillo), the film uncovers a series of unsettling scenes where everyone in Rome aims to be an actor on his or her own stage. And Jep is at the center of it all, a man who squandered his […]
The following interview was originally published in May 2013 to coincide with the world premiere of the film at the Tribeca Film Festival. Sunlight Jr.goes on release theatrically today through Gravitas Ventures. While the lives of the working class are not the stuff Hollywood dreams are made of, they are at the heart of Laurie Collyer’s new film, Sunlight Jr. Starring Naomi Watts and Matt Dillon as a couple dealing with an unexpected pregnancy while trying to survive on minimum wage jobs, Sunlight Jr. premieres at the Tribeca Film Festival this weekend where it is sure to stir up a conversation about what it means […]
A veteran director of commercials and music videos, Swedish-born Fredrik Bond makes his feature debut with Charlie Countryman, an extravagantly romantic tale of the titular young American (Shia Labeouf) who flees to Bucharest after the death of his mother (Melissa Leo). His neighbor on the flight to the Romanian capital dies on the journey, and Charlie is left to seek out his pretty young daughter, Gabi (Evan Rachel Wood), with whom he immediately falls in love. With a star-studded cast featuring Mads Mikkelsen (as Gabi’s psycho gangster ex, Nigel), Til Schweiger, Aubrey Plaza, Vincent D’Onofrio and Rupert Grint (playing a wannabe […]
“How do you cover up cellulite? With glitter and a spotlight.” These words of wisdom from the legendary NYC, splendidly zaftig, female drag queen World Famous *BOB* pretty much sum up the ethos of legendary NYC, underground filmmaker Beth B’s latest doc-extravaganza Exposed, a behind-the-scenes peep at today’s proudly subversive burlesque movement. Its performers include folks like Rose Wood, a biologically male strip-teaser brought into the scene by biologically female drag queen Dirty Martini, and Mat Fraser, perhaps the sexiest Seal Boy – also the name of his critically-hailed one-man show – on the planet. (Sorry boys and girls, this […]
The Mekons are the ultimate cult band. They may not have a huge audience, but their hardy host of admirers takes the British-born band and its three-and-a-half-decade history very seriously. The Mekons emerged as U.K. post-punk’s art-school pranksters in the late ’70s, and after major shifts in personnel and approach, eventually evolved into a sort of sonic polyglot encompassing folk, country, world music, and more. Throughout their rough-and-tumble career they’ve maintained a doggedly DIY modus operandi, eschewing complacency and creating more and more fodder for the intensity of their underground acclaim. At the start of 2008, another impassioned admirer, documentarian […]