Interviews
Interviews
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A D.P. Chooses the ARRI ALEXA
It’s been said that choosing between digital video cameras is a bit like choosing between film stocks; they provide different images that suit different uses and aesthetics. I’m not sure that the analogy is entirely accurate, but it’s certainly worth considering. For this reason, I’m always interested in hearing about d.p.’s experiences when working with a camera other than the one they usually shoot with. When Boston cinematographer Chris Loughran recently tweeted that he was going to be shooting with an ARRI ALEXA, I was curious to ask him about his experience with the camera. I first met Loughran a […]
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Fruitvale Station D.P. Rachel Morrison
“She was an incredible collaborator,” says Ryan Coogler of his Fruitvale Station d.p., Rachel Morrison, in Ava DuVernay’s cover story on the writer/director this issue. “She’s very tough,” he continues. “On your first glance of her, you know she has edge. You know she’s somebody who will bust her butt to get the shot. But as you get to really know her and some of the things she’s been through in her life, she’s just this big ball of emotion on the inside. Once she’s set on fire by a story there’s just no stopping her.” Selected after a recommendation […]
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The POV Conversation: Lixin Fan and Stephen Maing on Telling a Story
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing — whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is currently streaming for free on the POV website — with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the conclusion of this five-part discussion, the two discuss how to construct a story through intimacy. High […]
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The POV Conversation: Lixin Fan and Stephen Maing on the Filmmaker and the Subject
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing — whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is currently streaming for free on the POV website — with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the fourth segment of this five-part discussion, the two documentarians discuss the co-dependent relationship between the filmmaker […]
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Nenad Cicin-Sain on The Time Being
In Nenad Cicin-Sain’s moody debut feature, The Time Being, Frank Langella plays Warner, a wealthy art patron who after buying a painting at an art gallery hires the financially strapped artist behind the work (Wes Bentley) to do odd, artistically tinged jobs for him. Daniel, a dedicated painter who’s dour work isn’t exactly flying off the walls, struggles to support his family — to the increasing annoyance of his wife Olivia (Ahna O’Reilly). He is drawn to the reclusive and mysterious millionaire as a potential new benefactor, but when Warner’s assignments for Daniel become increasingly bizarre surveillance excursions, Daniel senses that he may […]
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The POV Conversation: Stephen Maing and Lixin Fan on the Importance of Unpredictability
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing — whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is currently streaming for free on the POV website — with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the third of this five-part discussion, the two filmmakers discuss how unforeseeable circumstances have contributed to their documentary films. […]
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The POV Conversation: Stephen Maing and Lixin Fan on Discovering Documentary Filmmaking
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing – whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is streaming for free on the POV website from today – and Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the second of this five-part discussion, the two discuss […]
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Five Questions with Man from Reno Director Dave Boyle
Since his 2006 debut, director and multi-hyphenate Dave Boyle has arguably carved out the most unique niche in independent film. That film, Big Dreams Little Tokyo, and his subsequent pictures White on Rice (2009), Surrogate Valentine (2011), and Daylight Savings (2012) have featured a mix of Japanese and Japanese-American characters in polyglot films that combine quirky comedy with high-strung drama. The latter two films added a semi-documentary element as musician Goh Nakamura plays a fictionalized version of himself. Now with Man from Reno Boyle retains several of his signature traits but moves in the new direction of a thriller. The film […]
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The POV Conversation: Stephen Maing and Lixin Fan on Growing Up with Film
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing – whose debut feature on Chinese citizen bloggers, High Tech, Low Life, airs tonight on POV – with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the first of this five-part discussion, the two discuss their early cinematic experiences. High Tech, […]
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Bangkok Dangerous: Nicolas Winding Refn on Only God Forgives
A superviolent and supremely strange Bangkok nocturne, Only God Forgives is Nicolas Winding Refn’s follow-up to his Cannes award-winning pop culture sensation Drive. This film, sure to be nowhere near as popular, is a distinctly less accessible affair. One senses that the filmmaker, a born contrarian, takes a certain pleasure in this. In both Thai and English, it meditates on a white man who trains child fighters and runs a family-operated drug ring with his brother. When said brother is dispatched via some brutal south Asian justice involving really sharp swords (after he is found to have rapped and killed […]
