Post Tenebras Lux, the film that won Mexican auteur Carlos Reygadas the Best Director award at the 2012 Cannes Film Festival, has a story. But what it’s really about, first and foremost, isn’t narrative but texture: The grainy wetness of mud in an open field. The harsh bristle of matted dog fur. The wet steam of a tiled sauna. It’s also about sound, from the giggle of a boy being tickled by his father to the thunder of rugby cleats on a hard floor. Shot in a box-y 4:3 aspect ratio with intermittently hazy edges, Post Tenebras Lux (the title translates […]
Easily the most out-there film I saw at last year’s CPH:DOX was one touted by the programmers as “the discovery of the festival”: Maiko Endo’s Kuichisan, receiving its New York debut tomorrow as part of the LaDiDa Festival. Previously, Endo was a vocalist in the band Battles and co-produced Jessica Oreck’s documentary Beetle Queen Conquers Tokyo. Now, Oreck has produced Endo’s debut picture, with Beetle Queen d.p. Sean Price Williams behind the camera. Stunningly shot in both black-and-white and color, Kuichisan is a tumbling collection of images, organized as much by feeling, sensation and the rhythms of its experimental soundtrack […]
Tall and part blonde/part brunette, Leslye Headland darted into our interview and gave me a warm greeting and an intense gaze. She explained that she had just run across town in Manhattan to walk her dog in between interviews while promoting her debut film, Bachelorette. The film is based on her stage play of the same name, about a gang of attractive girls (Kirsten Dunst, Lizzy Kaplan and Isla Fisher) behaving badly before their friend’s wedding. I ask what her dog’s name is. “His name is Ramius. Which is Sean Connery’s name in The Hunt For Red October,” she says, […]
While Ethel, Rory Kennedy’s portrait of her mom, widow of dad Bobby, might have made a splash at Sundance, it’s not the only descendant-directed doc about a member of political royalty to have played the fest circuit this year. With California State of Mind: The Legacy of Pat Brown, director Sascha Rice and her sister, executive producer Hilary Armstrong – both of them daughters of former California State Treasurer Kathleen Brown – have chosen to bring to the screen the story of their grandpa, the late Governor Pat Brown. Nicknamed the “Architect of the Golden State,” the two-term governor had a slew […]
In Sophia Takal’s Green, a couple of young, New York sophisticates travel upstate in order to research a book on sustainable farming, but when a working-class local woman becomes the object of their affection, jealousy and sexual gamesmanship threaten to ruin their relationship. Mining the insecurities that persist amongst young lovers is not necessarily new ground, but Takal, working with her fiance Lawrence Levine and roommate Kate Lyn Sheil, invests the storytelling with a moody disquiet, an emotional honesty and a jarring sense of foreboding that elevate the film above so many of its predecessors. Widely deploying the color of envy in […]
After debuting at the Slamdance Film Festival in 2011, Damon Russell’s Snow on Tha Bluff had a small theatrical release earlier this year. Writing about it then, Filmmaker’s own Brandon Harris described the film as “An incredible combination of found footage, no-budget narrative ingenuity and pulled-from-the-streets doc immediacy, [which] discovers in its incredibly charismatic and troubled protagonist, Curtis Snow, an American life many of us would probably rather forget about.” Since becoming available through such platforms as iTunes and Netflix Watch Instantly, Snow on Tha Bluff has found a new and highly engaged audience which has discovered and been electrified […]
In Detropia, the new documentary from directing partners Rachel Grady and Heidi Ewing, a gleaming sun rises over a handsome stretch of metal and glass, yet much of the landscape it kisses is neglected, overgrown, and decaying. This is the dichotomous portrait of Detroit delivered by the filmmakers, whose breakthrough film, Jesus Camp, likely rattled your core. With similar attention paid to stirring emotional heft, Grady and Ewing’s latest uncovers the splendor and squalor of a very American metropolis, whose all-time-low state of disrepair is punctuated by glimmers of its former — and, perhaps, future — glory. Painstakingly researching their […]
The Alfred P. Sloan Foundation was created in 1934 by the then head of General Motors to bestow grants related to science, technology, and economics, and to make these subjects more appealing to the general public. Part of a shift towards doing so via the arts can be attributed to Doron Weber, who runs the Public Understanding of Science and Technology program. Weber introduced the concept of providing sometimes sizable grants to narrative films, dealing with science or the science community, over a decade ago, when the idea was relatively novel and returns were a total question mark due the […]
Journalists are often privy to inside information when a film deal goes down at a festival, but rarely do they take place on the other end of my dinner table. Nor do they generally concern one of my friends, as was the case at a certain dinner party on a snowy night at this year’s Sundance Film Festival. Actually, until now, that has never happened. My friend is director Jamie Travis, and it was during a cast and crew dinner at a fancy pop-up steak restaurant when his little, low-budget indie, For a Good Time, Call…, was picked up for […]
Once I had a dream to make a documentary in some sort of third world or developing third world country setting. I had no direction, no story and no clear vision, so unfortunately that dream died. Nearly a decade later, I had moved on to building a career in the music video and commercial world. By this time I had no desire to travel to any third world country, but my best friend Rocky Braat did. After sharing an apartment and parallel lives for about seven years, Rocky had gone off on a much different path. He had stumbled upon […]