While much of the indie film community’s attention remains on Park City, there’s more than enough going on elsewhere to keep filmmakers and art lovers busy. Foremost among such events is the Dance on Camera film series, co-presented by Film Society of Lincoln Center and Dance Films Association and held from January 31 – February 4. Dance films date back at least to Edison’s very first Vitascope exhibition in April 1896 and have been a mainstay of popular and arthouse cinema ever since, from Loie Fuller through Gene Kelly, Maya Deren, and the work of hundreds of choreographers, film directors, and documentarians today. DFA […]
Filmmaker: Why did you first get into being an AD? Did you ever want to direct? Do you now? Wegenka: I started working as an AD after college. As a filmmaker I love production, the process of making films. As an AD I’m right in the thick of it, helping to create the director’s vision. I’ve been able to work with many directors I admire: Bernardo Bertolucci, David Lynch, David Mamet, John Waters, Robert M. Young, Wayne Wang, Martha Coolidge, Neema Barnett and many others. I’ve learned from all of them. Working with Lynn has been a joy, it has brought me […]
I’ve been hearing the praises of Drunktown’s Finest director Sydney Freeland being sung for some time now. The 2004 Fulbright scholar and Sundance alum – whose long list of awards includes a Sundance Institute Screenwriting Fellowship and a Sundance Institute Directing Fellowship in 2010, and a 2009 Sundance Institute Native American Lab Fellowship – has also long been a fixture on the cozy New Mexico filmmaking scene. (Since I programmed the Santa Fe Independent Film Festival 2012 it’s not surprising the Gallup native and I even share mutual friends.) That said, as a jaded critic it’s second nature for me […]
A three-time Webby Award winner and a 2009 World Economic Forum “Young Global Leader,” who has exhibited at MoMA and built the world’s largest time capsule with Yahoo!, Jonathan Harris can now add the firestarters IDFA DocLab Award for Digital Storytelling – for his latest interactive project I Love Your Work – to his esteemed CV. In it Harris invites us on an online journey not to the Arctic Ocean with Alaskan Eskimos – as he did in his previous piece, The Whale Hunt – but into the lives of nine women residing in a much hotter climate, that of the […]
Filmmaker: Why this movie? Why did you decide to do it? Kroot: I was compelled to do it! I have always been a big fan of the original Star Trek, which I loved for its mix of campy aesthetics and also its thinly veiled exploration of the serious social and political issues of the 1960’s. George Takei’s sexual orientation never occurred to me but I was very impressed when he “came out” at age 68 in 2005 to become a voice for LGBT civil rights and then marry his long time partner, Brad Altman. I noticed how George’s philosophy was […]
Filmmaker: Why this movie? Why did you decide to do it? Vitkova: I’d been working on a project as a 1st AD. At the end of the last shooting day, after almost 10 years of hard work as a 1st and 2nd AD, I promised myself I’d never do this thankless job again. The same evening I sat down and wrote an 18-page treatment, a story that had never really crossed my mind. Viktoria’s plot came easily, made me laugh while putting it into words, and then cry at the end. Viktoria has been very obsessive ever since, didn’t leave me until I completed […]
The following interview first ran on this site in January 2013 to coincide with the world premiere of Towheads at the International Film Festival Rotterdam. It is republished here to mark the theatrical run of Plumb’s film at the Museum of Modern Art in New York between January 23 and 29. Premiering in Rotterdam, the disarming and oddly delightful Towheads is the feature debut of artist and experimental filmmaker Shannon Plumb. Exploring and extending aspects of her short-form Super-8 work within a feature context, Towheads is, on the surface, a familiar story of a bored housewife whose creative aspirations are […]
Filmmaker: Why this movie? Why did you decide to do it? Smirnoff: Puzzle was a story about a woman. So after that, I was really interested in making a film about a man, putting [myself] in his skin. I know a lot of people, maybe me included, with emotional obstacles. And I think writing is a marvelous possibility to habit different human beings. All these things are related to the story of Lock Charmer. Exploring Sebastian, the main character from the film, was a wonderful exercise; I learned more about life. Always not judging but living with him. When you manage […]
Filmmaker: Why this movie? Why did you decide to do it? Iskander: Edet Belzberg’s film Children Underground was one of my favorite docs. When I went to meet her for the first time to talk about potentially working on her new film, I was simply excited to meet her and hear about her experiences as a documentary filmmaker. So I was thrilled to be have the opportunity to work with her on Watchers of the Sky. The prospect of traveling to Chad and working closely with Edet was very exciting. Filmmaker: Why do you think you were the right choice to D.P. each film? Iskander: […]
Filmmaker: Why this movie? Why did you decide to do it? Medalia: As boundaries between reality and the virtual become increasingly blurred, we are beginning to see how reality is compromised and people are losing their footing. When Shosh [Shlam, the other director of Web Junkie] told me about this story of China’s attempt to stem internet addiction among its youth, I was immediately captivated and felt that this it expressed a current and increasingly global dilemma. I began to wonder if I myself was an addict? Had I become overly dependent on technology? And would these techniques to break the addiction among […]