Latest News
Andrew Gillis in Werewolf (courtesy of La Distributrice
de Films)
Why I Am Hopeful: Programmer Eric Allen Hatch on the Future of Arthouse Programming
DP Larkin Seiple Breaks Down Every Shot from Childish Gambino’s “This Is America “
Adam Driver and John David Washington in BlacKkKlansman
Cannes Dispatch #5: BlacKkKlansman, The House That Jack Built
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Jim McKay on His Return to Feature Filmmaking, the Soccer-Themed Drama, En el Séptimo Día
Jun 18, 2018
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The Truth About Hollywood: On Ben Fritz’s The Big Picture: The Fight for the Future of Movies
Jun 18, 2018
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“The Film Became About What Growing Up in the Midst of a War Does to a Child… ”: Simon Lereng Wilmont on The Distant Barking of Dogs
Jun 18, 2018
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More American Graffiti and Spetters: Jim Hemphill’s Weekend Blu-ray Picks
Jun 15, 2018
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“Making a Good Movie Has to Come from the Heart, Not from a Mental Understanding of an Issue”: Matthieu Rytz on Anote’s Ark
Jun 15, 2018
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“There Is a Reverence On Set When the Camera is Spitting Film Through its Gate.”: DP Darran Tiernan on Westworld, Season Two
Jun 14, 2018
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Back to One: Back to the Future Actor and The Year of Spectacular Men Director Lea Thompson on How Actors Need to be “Director-Proof”
Jun 12, 2018
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An Evolution in Shorts: Jamie Stuart on Five Films Leading Up to A Motion Selfie
Jun 12, 2018
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Watch (?): Donald Trump’s “Action-Movie Style Trailer,” Shown to Kim Jong-un, Ostensibly For Diplomatic Purposes
Jun 12, 2018
